In recent years, large multinational media companies have captured the global copyright system and twisted it toward their own short-term interests. The people who are supposed to benefit most from a system that makes ideas available — readers, students, and citizens — have been excluded. No one in Congress wants to hear from college students or librarians.
What begins as a critique of Kevin Kelly's "Scan This Book!" feature in a May '06 NYTimes Magazine (which mentions Google's Library project at least 50 times), continues as a timely updated supplement for those of us thumbing through The Anarchist in the Library for the first time.
Google’s project, if it survives court challenges, would probably have modest effects on writing, reading, and publishing. For one thing, Kelly’s predictions depend on a part of the system he slights in his article: the copyright system.
Tim O'Reilly, who once argued that fewer than 4% of all books ever published continue to be commercially exploited, supported Google's Book Search initiative posting research after Kelly's article indicating the "long tail" effect of online indexing of as many books as possible (or in Google's proposal, all of the titles in five major U.S. libraries). [link is to UC Berkeley research paper PDF, Google's documentation on the library project is here].
But with corporations and media conglomerates hankering to lock up digital rights and ignore/shun the concept andn value of CC-style copyrights, the mainstream is missing the point by focusing on Google's ambition to slightly alter or circumvent U.S. copyright law in an effort to add only a little to society -- and "snippets" at that, writes Vaidhyanathan:
Google is exploiting the instability of the copyright system in a digital age. The company’s struggle with publishers over its legal ability to pursue its project is the most interesting and perhaps most transformative conflict in the copyright wars. But there are many other battles — and many other significant stories — out in the copyright jungle. Yet reporters seem lost.
The essay as a whole serves as a great heads-up to journalists and Free Culture-ite copyright activists alike, alluding to distortions in the media and confusion regarding ethics and legality (Da Vinci Code case), technology and it's effect on consumer culture (p2p scare pieces) and one-dimensional dichotomies (hackers v. movie studios). (In fact the piece concludes with a "primer" for journalists).
It's only natural for journalists to report stories with characters andn consequences regular people can relate to, but:
Reporters often fail to see the big picture in copyright stories: that what is at stake is the long-term health of our culture. If the copyright system fails, huge industries could crumble. If it gets too strong, it could strangle future creativity and research.
The modern journalist depends on Google's system of copying (or caching) practically every pixel of information on the Web -- be it for research, fact-checking or even publishing. Understanding media/copyright law in the digital age is crucial, but to report on the controversies of the day as if the sky were falling could only precipitate further restrictions on fair use and information sharing.